Thursday, 25 October 2007

Html-izing Editor's code of practice

NEWSPAPER AND MAGAZINE PUBLISHING IN THE U.K.

Editors’ Code of Practice

This is the newspaper and periodical industry’s Code of Practice.
It is framed and revised by the Editors’ Code Committee made up of independent editors of national,regional and local newspapers and magazines.

The Press Complaints Commission, which has a majority of lay members, is charged with enforcing the Code, using it to publication in the public interest.

It is the responsibility of editors and publishers to apply the Code to editorial material in both printed and online versions of publications. They should take care to ensure it is observed rigorously by all editorial staff and external contributors, including non-journalists.

Editors should co-operate swiftly with the PCC in the resolution of complaints. Any publication judged to have breached the Code must print the adjudication in full and with due prominence, including headline reference to the PCC.

Accuracy

i) The press must take care not to publish inaccurate, misleading or distorted information, including pictures.
ii) A significant inaccuracy, misleading statement or distortion once recognised must be corrected, promptly and with due prominence, and - where appropriate - an apology published.
iii) The press, whilst free to be partisan, must distinguish clearly between comment,conjecture and fact.
iv) A publication must report fairly and accurately the outcome of an action for defamation to which it has been a party, unless an agreed settlement states otherwise, or an agreed statement is published.

Opportunity to reply

A fair opportunity for reply to inaccuracies must be given when reasonably called for.

Privacy

i) Everyone is entitled to respect for his or her private and family life, home, health and correspondence, including digital communications.Editors will be expected to justify intrusions into any individual's private life without consent.
ii) It is unacceptable to photograph individuals in a private place without their consent. Note - Private places are public or private property where there is a reasonable expectation of privacy.

Harassment

i) Journalists must not engage in intimidation,harassment or persistent pursuit.
ii) They must not persist in questioning,telephoning, pursuing or photographing individuals once asked to desist; nor remain on their property when asked to leave and must not follow them.
iii) Editors must ensure these principles are observed by those working for them and
take care not to use non-compliant material from other sources.

Intrusion into grief or shock

i) In cases involving personal grief or shock,enquiries and approaches must be made with sympathy and discretion and publication handled sensitively. This should not restrict the right to report legal proceedings, such as inquests.
ii) When reporting suicide, care should be taken to avoid excessive detail about the method used.

Children

i) Young people should be free to complete their time at school without unnecessary intrusion.
ii) A child under 16 must not be interviewed or photographed on issues involving their own or another child’s welfare unless a custodial parent or similarly responsible adult consents.
iii) Pupils must not be approached or photographed at school without the permission of the school authorities.
iv) Minors must not be paid for material involving children’s welfare, nor parents or guardians for material about their children or wards, unless it is clearly in the child's interest.
v) Editors must not use the fame, notoriety or position of a parent or guardian as sole justification for publishing details of a child’s private life.

Children in sex cases

1. The press must not, even if legally free to do so, identify children under 16 who are victims or witnesses in cases involving sex offences.

2. In any press report of a case involving a sexual offence against a child:

i) The child must not be identified.
ii) The adult may be identified.
iii) The word "incest" must not be used where a child victim might be identified.
iv) Care must be taken that nothing in the report implies the relationship between the accused and the child.

Hospitals

i) Journalists must identify themselves and obtain permission from a responsible executive before entering non-public areas of hospitals or similar institutions to pursue enquiries.
ii) The restrictions on intruding into privacy are particularly relevant to enquiries about individuals in hospitals or similar institutions.

Reporting of Crime

i) Relatives or friends of persons convicted or accused of crime should not generally be identified without their consent, unless they are genuinely relevant to the story.
ii) Particular regard should be paid to the potentially vulnerable position of children who witness, or are victims of, crime. This should not restrict the right to report legal proceedings.

Clandestine devices and subterfuge

i) The press must not seek to obtain or publish material acquired by using hidden cameras or clandestine listening devices; or by intercepting private or mobile telephone calls, messages or emails; or by the unauthorised removal of documents, or photographs; or by accessing digitally-held private information without consent.
ii) Engaging in misrepresentation or subterfuge, including by agents or intermediaries, can generally be justified only in the public interest and then only when the material cannot be obtained by other means.

Victims of sexual assault

i) The press must not identify victims of sexual assault or publish material likely to contribute to such identification unless there is adequate justification and they are legally free to do so.

Discrimination

i) The press must avoid prejudicial or pejorative reference to an individual's race, colour, religion, gender, sexual orientation or to any physical or mental illness or disability. Details of an individual's race, colour, religion, sexual orientation, physical or mental illness or disability must be avoided unless genuinely relevant to the story.

Financial journalism

i) Even where the law does not prohibit it, journalists must not use for their own profit financial information they receive in advance of its general publication, nor should they pass such information to others.
ii) They must not write about shares or securities in whose performance they know that they or their close families have a significant financial interest without disclosing the interest to the editor or financial editor.
iii) They must not buy or sell, either directly or through nominees or agents, shares or securities about which they have written recently or about which they intend to write in the near future.

Confidential sources

i) Journalists have a moral obligation to protect confidential sources of information.

Witness payments in criminal trials

i) No payment or offer of payment to a witness - or any person who may reasonably be expected to be called as a witness - should be made in any case once proceedings are active as defined by the Contempt of Court Act 1981. This prohibition lasts until the suspect has been freed unconditionally by police without charge or bail or the proceedings are otherwise discontinued; or has entered a guilty plea to the court; or, in the event of a not guilty plea, the court has announced its verdict.
ii) Where proceedings are not yet active but are likely and foreseeable, editors must not make or offer payment to any person who may reasonably be expected to be called as a witness, unless the information concerned ought demonstrably to be published in the public interest and there is an over-riding need to make or promise payment for this to be done; and all reasonable steps have been taken to ensure no financial dealings influence the evidence those witnesses give. In no circumstances should such payment be conditional on the outcome of a trial.
iii) Any payment or offer of payment made to a person later cited to give evidence in proceedings must be disclosed to the prosecution and defence. The witness must be advised of this requirement.

Payment to criminals

i)Payment or offers of payment for stories, pictures or information, which seek to
exploit a particular crime or to glorify or glamorise crime in general, must not be made directly or via agents to convicted or confessed criminals or to their associates – who may include family, friends and colleagues.
ii) Editors invoking the public interest to justify payment or offers would need to demonstrate that there was good reason to believe the public interest would be served. If, despite payment, no public interest emerged, then the material should not be published.

The public interest

There may be exceptions to the clauses marked where they can be demonstrated to be in the public interest.

1. The public interest includes, but is not confined to:
i) Detecting or exposing crime or serious impropriety.
ii) Protecting public health and safety.
iii) Preventing the public from being misled by an action or statement of an individual or organisation.

2. There is a public interest in freedom of expression itself.

3. Whenever the public interest is invoked, the PCC will require editors to demonstrate fully how the public interest was served.

4. The PCC will consider the extent to which material is already in the public domain, or will become so.

5. In cases involving children under 16, editors must demonstrate an exceptional public interest to over-ride the normally paramount interest of the child.

Thursday, 18 October 2007

Podcast Tutorial: Museum of Confusion

Subscribe a podcast to your iTunes library. This sounds like cirillic to many. In reality it is one of the simplest things that new technologies are offering to people for them to listen and view documents.
This is explained in Podcast Tutorial, a youtube video made by 'Kurt'.



'Kurt' explanation is quite clear and effective but the graphic of the tutorial is very confusing and of poor quality. Our tutor is trying to make people aware of new possibilities offered by new technologies, but he himself is not using the top of it.
He is trying to show a podcast created by him for a museum. It could be very interesting to see the presentation of the images that he created but in the video- tutorial people cannot properly understand how the presentation works.

I believe he could use mac computer (since he is showing podcast functions on a mac program, iTunes) using the corner option that allows you to move the mouse (therefore the view) from an open window to another window and back to the desktop without the need of scrolling down all the pages and minimaze them all the time.

Check it out and leave your comment:

Thursday, 11 October 2007

digesting podcasting




"The ongoing regulatory and commercial conflicts over the issue of net neutrality will increasingly affect public service broadcasters", said the editor of Vox Publica on 23 May 2007. "As the broadcasters distribute more of their audiovisual offerings online, the question of quality of service and the future of the Internet as a whole becomes a crucial issue for broadcasters, according to Associate Professor Tanja Storsul at the Department of Media and Communication, the University of Oslo."
Podcast: ‘Interview’ with Sen. Ted Stevens example of podcast taken from FreePress.net.

Yahoo is getting in the scene too. Michael Bazeley, journalist at San Jose Mercury News wrote "A year ago, few Internet users had ever heard the word “podcast,” let alone listened to one. Now Yahoo is making a bet the podcasting phenomenon has a mainstream future. The Sunnyvale company Monday unveiled a slick service that lets people easily find, review and automatically download any of the tens of thousands of radio-like audio shows that are fueling a wave of personal digital publishing."With Yahoo’s stature as the most-visited Web site, the new service will undoubtedly drive thousands of people to discover podcasts — the audio files intended to be played on portable digital music players such as iPods.

The move also makes business sense for Yahoo since it makes the Web site a more attractive platform for personal publishing. And it might push users to Yahoo Music Engine, the company’s new subscription music service.



“It certainly marks a major milestone in the adoption curve,” said Michael Geoghegan, who produces a movie-review podcast called Reel Reviews.
Yahoo’s service is free and still in testing mode. It provides a directory and search engine for tens of thousands of shows and more than 100,000 individual podcasts. Yahoo compiled the directory by crawling the Web and searching for special types of files. Publishers can also submit their podcasts to be included in the directory."

Jhon Thompson wrote on Journalismcouk about the Sun Online making history today by hosting the first ever podcast by a British Prime Minister. "The Prime Minister entered the digital age yesterday with an interview about his plans to end anti-social behaviour on Britain's streets.", he writes.
Will multimedia be abused in journalism? Will journalism exist only on a digital version? Mark Bowden, columnist of Philadelphia Inquirer, worte in 'journalim's future' article: "I think the print edition will probably endure to some extent, but, without any doubt, the future of daily journalism is digital, not because it is the latest thing, but because it is, quite simply, a far better medium than paper and ink."

Wednesday, 10 October 2007

HOW MULTIMEDIA IS CHANGING ONLINE JOURNALISM

A look at the use and abuse of podcasts in online journalism




Throughout its history, journalism has undergone several changes. These changes can be seen in terms of content, features, ownership etc in all print productions around the world.


All these changes happen as a result of society's evolution i.e capitalism and the introduction of new technologies. The most important factor must be the phenomenal growth of the Internet. Guardian web pages few years ago

The idea that the New York Times will only be available as an online version in five years time seems rather weird. Baudrillard would say that we are in a historical moment in which the virtual world is taking over the physical. Baudrillard's interpretation might be right or not but what is sure is that screens of computers are – at least in the western civilization - the most used battlefield for black words and white surfaces.
I believe journalism can be seen as a human body that is slowly but radically changing, becoming a less terrestrial being. When a newspaper or a broadcasting corporation (such as the Guardian or BBC) goes online today, it does not just become electronic, or virtual, but it becomes a multimedia creature that exists thanks to the co-existence of different media forms.
The most famous form of multimedia is a podcast. Guardian video home


Wikipedia explanation of a podcast is the following: “A podcast is a digital media file, or a series of such files, that is distributed over the Internet using syndication feeds for playback on portable media players and personal computers.” The mechanics of it is “an automatic mechanism whereby multimedia computer files are transferred from a server to a client, which pulls down XML files containing the Internet addresses of the media files. In general, these files contain audio or video, but also could be images, text, PDF, or any file type.”
Podcasts can also be videocasts, audiocasts, imagecasts or even a mixture of audio and video-images. I interviewed Angelo Miotto, subeditor and newseditor of the online newspaper PeaceReporter, in order to understand the new changes and challenges that new media has created in the world of journalism.
“The range of contents that is available today for any online publication has been made possible thanks to the development of new technologies that has been able to speed up web traffic and software. The traditional printed medias, thus, picked up the occasion to briefly re-elaborate their own image in order to gain new readers. This new audience, in the contemporary logic of capitalism, it is identify with contacts to ‘sell’ to earn advertisings. The Italian experience demonstrates how in few years there was a real proper boom of the phenomenon. However editorial quality did not stick to quantity production.
Too often audio-videos to download are of very poor quality, edited in a rush or not precise in details. Moreover new hybrid experiences were introduced, such as a tv news realized into a radio studio inside a newspaper editorial unit. This is the case of ‘la Repubblica’, one of the most read daily Italian newspapers. la Repubblica multimedia The website is full of news and fast contents but it is fashion or gossip news that are predominant on multimedia sections. In order to get a quick idea of this you just need to compare the multimedia contents of
‘la Repubblica’ and the ones of the New York Times. Online version of newspapers developed in a dynamic way; often readers are called to vote on dolls or called to participate through forums and blogs. However, the most innovative proposal is the one launched by the Spanish newspaper El Pais. Elpais.com, the most visited online newspaper in Spain, build up a section called Yo periodista (I journalist). In this section readers are able to produce the final product that will be published online.” Multimedia [podcast] improved Internet possibility of creation, therefore journalism ones too. What Mr. Miotto made clear, though, is the fact that editors and journalists should not forget that quality of production must come before quantity. A correct use of technologies can lead to interesting results; an abuse of multimedia would just create chaos.

Example of PeaceReporter audiocast

Example of PeaceReporter photogallery

PeaceReporter multimedia gallery

Tuesday, 9 October 2007

Here's an amazing website which serves as a great introduction to the subject:
http://www.abandoned-britain.com/PP/canehill/7.htm

welcome explorers!

I am Cecilia.
I explore.
Myself and the world.
I study Journalism with Sociology at City University and this blog exists for the module of web creation.
This is the diary of my explorations and writings.
Enjoy!